Focaudian Analysis of the Discourse of Power in Charles Dickens's Hard Times

Document Type : Research Paper

Authors

1 Associate Professor, Department of Foreign Languages, Language Center, Imam Sadiq University, Tehran, Iran

2 Assistant Professor, Department of Foreign Languages, Language Center, Imam Sadiq University, Tehran, Iran

3 Ph.D. Holder, Faculty of Foreign Languages and Literature, University of Tehran, Tehran, Iran,

10.30465/os.2025.51926.2043
Abstract
Introduction
The Victorian era's dominant narrative of industrial and technological progress, often glorified in contemporary media, starkly contrasts with the reality of systemic oppression and class exploitation depicted by authors like Charles Dickens. In his 1854 novel, Hard Times, Dickens directly confronts these pervasive mechanisms of power, identifying how they are enacted through the dominant ideological discourses of industrialization and utilitarianism. These discourses are institutionalized in the novel's key settings the factory and the school within the dystopian industrial city of Coketown.
While previous studies have explored the novel's social critique, a comprehensive Foucauldian analysis of its specific mechanisms of power, discourse, and subject-formation remains a significant research gap. This study aims to fill that gap, analyzing how power operates in the novel using Michel Foucault's key concepts. This research investigates how Dickens represents Foucauldian disciplinary power in institutions, how these institutions produce subjects, and how the novel depicts resistance against this dominant ideology.
Materials and Methods
This study employs a descriptive-analytical methodology, conducting a textual analysis of Hard Times through the theoretical lens of Michel Foucault. The research is library-based, drawing on Foucault's primary texts and relevant literary criticism.
The core theoretical framework adopts Foucault's concept of power not as a top-down, repressive force ("sovereign power"), but as a productive, pervasive network of "disciplinary power". As detailed in Discipline and Punish, this power functions through institutions (schools, factories) to create "docile subjects" who are useful, efficient, and self-regulating.
The analysis focuses on two interconnected concepts: Discourse (systems of power/knowledge, like Utilitarianism, that define "truth") and Disciplinary Mechanisms (techniques like surveillance, conceptualized in the Panopticon, which lead subjects to internalize control). Finally, the methodology incorporates Foucault's axiom that "where there is power, there is resistance," treating resistance as an integral part of the power dynamic itself.
Discussion & Results
The Foucauldian analysis of Hard Times yields a two-part finding centered on the novel's primary institutions: the factory and the school.

Industrial Discourse and the Factory

The novel’s industrial discourse, embodied by Josiah Bounderby, uses the factory for exploitation and disciplinary control. The polluted, monotonous environment of Coketown is a physical manifestation of this discourse, reducing workers to dehumanized "hands."
The character of Stephen Blackpool illustrates this operation. The law functions not as a neutral arbiter but as a Foucauldian "juridical power" serving the dominant class, seen in his inability to obtain a costly divorce. When Stephen resists the system's binary logic (refusing to spy for Bounderby or fully join the union), he is subjected to disciplinary elimination. He is fired, re-defined by power through a false accusation of theft, and ultimately eliminated by the industrial system, dying in a mineshaft. His resistance, though profound, is tragically crushed.

Utilitarian Discourse and the School

The educational discourse is personified by Thomas Gradgrind, whose school is a machine for "subject-formation." His philosophy of "Facts" is a utilitarian discourse designed to destroy imagination and produce "docile subjects" suited for the industrial machine, enforcing this through panoptic surveillance in the school and home.
The character of Sissy Jupe provides the novel's central case study of resistance. Gradgrind attempts to discipline her, notably by trying to erase her identity by changing her name from "Sissy" to "Cecilia." When she fails to provide a "factual" definition of a horse, she is expelled. Unlike Stephen's, however, Sissy's resistance is ultimately successful. She represents an "everyday resistance," quietly maintaining her own knowledge system based on empathy and human connection. This alternative knowledge proves superior when the Gradgrind system collapses, as Sissy provides refuge for the broken Louisa and facilitates Tom's escape. She subverts the disciplinary system from within.
Conclusion
This Foucauldian analysis of Hard Times concludes that the novel is a sophisticated deconstruction of modern power. Dickens portrays a society where dominant ideologies Utilitarianism and Industrialization function as productive Foucauldian discourses, using institutions like the school and factory to shape and control subjects. The novel’s characters, Thomas Gradgrind and Josiah Bounderby, are embodiments of this disciplinary power, one shaping the mind and the other controlling the body.
However, Dickens does not present a totally determined world, confirming Foucault's axiom that power and resistance are inseparable. The study identifies two distinct forms of resistance: the tragic resistance of Stephen Blackpool, whose ethical defiance is crushed, and the subversive resistance of Sissy Jupe, whose adherence to empathy creates a rupture in the dominant discourse, offering an alternative path based on human values.
Ultimately, this research argues that Hard Times prophetically illustrates the Foucauldian link between knowledge and power. It shows how "truth" is manufactured to serve power, how subjects are produced by this "truth," and, most importantly, how the persistence of the human spirit provides an enduring site of resistance.

Keywords


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